Between Shifts of Life
- Lynn Fu
- 3 hours ago
- 4 min read
She was sitting very still when I first noticed her.
Inside the community center in Xujiahui, the noise of conversation echoed faintly off tiled floors, but she seemed to exist in a quieter pocket of space. A brown baseball cap rested low on her head, and she wore a flowery, patterned cotton jacket—the kind you might see in older photographs, or in villages far from Shanghai’s glass towers. Her hands lay folded in her lap, as if holding onto something invisible.
I hesitated before approaching her. She looked like she was in the middle of remembering something.
She told me she was from Henan, and that she had come to Shanghai just two or three years ago.
“I work at a restaurant now,” she said. “Washing dishes, cutting vegetables, preparing ingredients…a bit of everything. It’s not that exciting, but fun enough to keep me happy.”
In the evenings, after work, she returns to a shared dorm for staff. Her children live far away in Qingpu district. They visit occasionally, and when they do, she cooks for them.
“They’re all married now,” she said. “My granddaughter is already in middle school.”
She smiled when she mentioned that, unmistakably proud.
“My wish now is simple. Just to work well, earn a bit more bonus, not become a burden to my children. And of course, to stay healthy!”
There was something striking about how she said it, as a conclusion she had arrived at over time.
It hadn’t always been like this.
When she was younger, she ran her own printing factory back in Henan.
“I had to deal with many people every day,” she recalled. “It was busy—-very busy. But there was also a sense of achievement.”
Her hands moved slightly as she spoke, as if tracing the outline of a past life that had once been full, structured, and hers.
Then, she paused.
“My husband passed away,” she said.
The sentence was simple. But her voice shifted and softened, almost breaking at the edges. She looked down for a moment, and in that silence, the room seemed to pull away.
“I miss him very much.”
After that, she decided to leave.
“I thought… I should go out and see more of the world.”
And so she came to Shanghai—a city that is constantly moving, constantly changing, constantly asking people to keep up.
She has, in her own way.

She told me she’s learned how to order food on her phone now. She even films short videos on Douyin.
“I sing,” she said, almost shyly. “Yue opera.”
She explained that it’s a traditional form of folk opera from Henan—something she carried with her from home, even as everything else changed.
There was something quietly beautiful about that. In a city that often replaces the old with the new, she had found a way to preserve something of her own.
Still, not everything is easy.
“The subway is too complicated,” she admitted, laughing lightly. “I don’t really know how to use it.”
So her world remains relatively small—work, dormitory, occasional visits from family, and the community center.
And yet, within that smallness, there is a kind of completeness.
Her answers came more easily when I asked her about her childhood; she grew up working in the fields of rural Henan.
“I studied until I was 19,” she said. “Back then, during the Vietnam War, we went through military training just in case war was brought home. We learned how to throw grenades and how to shoot.”
She laughed at that, a little surprised by her own memory.
“It’s a good thing the war never reached us.”
But not all of those early memories were light. She spoke about her family. About having two sisters, and about the way her mother was treated in a society that favored sons.
“People in the village used to scold her,” she said quietly. “She suffered a lot. I felt very sorry for her.”
Listening to her, I began to notice a pattern in how she held the events of her life. There was no bitterness nor dramatic regret. Just a steady way of carrying both the good and the difficult side by side. As if life, to her, was not something to be solved, but something to be endured, and occasionally appreciated.
Now in Shanghai, her days are much simpler.
She works. She returns to her dorm. She chats with coworkers. She waits for visits from her children.
“I feel quite happy,” she said. “Work isn’t too busy, and I get along well with my colleagues.”
Then she added an afterthought:
“Life can be ordinary. That’s enough. If you don’t want too much, you can feel satisfied.”
It’s a sentence I’ve heard before, in different forms, from different people. But here, it felt different because she had lived enough to mean it.
When I was about to leave, she looked at me and smiled in a way that felt different from before. Warmer, almost a little surprised.
“I’m really happy that someone would sit down and talk to an old woman like me,” she said.
“It’s been a long time since I had someone to chat with like this. I’ll remember you.”
For a moment, I didn’t know how to respond.
It struck me then—that perhaps what she had been holding, all this time, was not just memory, but silence. Days that passed without being asked about. Stories that stayed unspoken, not because they didn’t matter, but because no one had stopped long enough to listen.
And suddenly, the interview no longer felt like something I was doing for our publication.
It felt like something much smaller, and much more human: two people, sitting across a table, briefly sharing the weight of a life.
As I stepped out of the community center, the city resumed its usual pace—fast, loud, indifferent. People moved past each other without looking up. Cars blurred into light. But somewhere behind me in that quiet room, a woman sat with a lifetime of stories, waiting, perhaps for the next person who might ask her to tell them.




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